Emerging from the British punkexplosion in the 70's, Wire was formed by Graham Lewis(bass, vocals), Bruce Gilbert(guitar), Colin Newman(vocals, guitar) and (drums). Their sound is often associated with a vague subgenre of punk called art punk or post-punk, mostly due to their richly detailed and atmospheric sound, often obscure lyrical themes and, to a lesser extent, their situationist political stance. The group exhibited a steady development from an early raucous style (1977's Pink Flag) to a more complex, structured sound involving increased use of synthesizers (1978's Chairs Missing and 1979's 154). As a result, they had a tremendous influence through later decades on a variety of bands and rock music genres, notably in The Urinals, The Minutemen, R.E.M., who covered "Strange" on their Document album and most recently, Bloc Party, Futureheads and Franz Ferdinand. Ian MacKaye of hardcore punk band Minor Threat was also a big fan of the band.
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Wire

Painted statues in underground streams
With invitations to the Pharoah's dream
They stare at themselves, there's a need to be seen
Walking mirrors in the Pharoah's harem
And here they come
The queen of Ur
And the king of Um
Tainted Matthews in car-key relations
Gilt invitations to the blue queen's ball
They stare at themselves, there's a need to be seen
Talking pillars in the blue queen's hall
Fading tatoos of empty stations
Great expectations at Vince's loyal mince
They stare at each other, there's a need to be seen
Crack-head mirrors, licking the soiled mint
Olympic statues from terminal stations
Sifting invitations to the market floor
Steering into the future, it pays to be seen
Polishing mirrors, keeping the score
A babbling gaggle, a scrabbling rabble
Fighting invitations to the emporor's shilling
They stare through themselves, there's nothing to see
Hand-picked recruits for ghostly pursuit